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The Raffle

1991
6 min read
By VHS Heaven Team

It's a premise that lodges itself in your mind, simple yet startlingly provocative: a woman, stunningly beautiful but suddenly destitute, decides the only way to secure her future is to raffle herself off. That's the unsettling core of Francesco Laudadio's 1991 Italian drama, The Raffle (La Riffa), a film that likely drifted under the radar for many North American viewers browsing the racks back in the day, unless perhaps drawn in by the undeniable magnetism of its young star. Watching it now feels like uncovering a slightly faded photograph, capturing not just a specific moment in Italian cinema, but the nascent screen presence of an actress destined for global recognition: Monica Bellucci.

The Price of Survival

The film introduces us to Francesca (Bellucci), recently widowed and discovering her late husband left behind not wealth, but crippling debt. Living in the sun-drenched coastal region of Puglia, Francesca possesses an almost ethereal beauty, a quality that becomes both her greatest asset and the source of her extraordinary gamble. Faced with losing her home and potentially her daughter, she concocts a desperate plan with the help of her lawyer friend, Antonio (Giulio Scarpati): a secret, high-stakes lottery amongst the town's affluent men. The prize? Francesca herself, bound to the winner for four years. It’s a concept that immediately forces reflection – what drives someone to such lengths? And what does it say about the society that creates such a possibility?

Bellucci's Early Radiance

For many, the primary draw here is undoubtedly witnessing Monica Bellucci in one of her very first leading roles. Fresh from the world of high fashion modeling, her transition to the screen isn't tentative; it's captivating. Bellucci embodies Francesca with a potent mix of vulnerability and steely resolve. You see the fear flickering in her eyes, the humiliation simmering beneath the surface, but also a pragmatism born of sheer desperation. It's not a performance reliant on extensive dialogue; much is conveyed through her expressive gaze and poised physicality. She carries the film, making Francesca's almost unthinkable decision feel rooted in a desperate reality. Is it a fully formed powerhouse performance? Perhaps not yet, but the raw charisma and screen presence that would define her career are undeniably already there, lighting up the frame even amidst the shadows of her character's plight. It’s fascinating to see the seeds of the icon she would become, tackling a role far riskier than many actresses might choose for an early showcase.

A Question of Morality and Milieu

Director Francesco Laudadio, perhaps not a household name outside Italy, crafts a film steeped in the specific atmosphere of its Southern Italian setting. The sunlit squares and coastal vistas provide a stark contrast to the murky morality at play. The men vying for Francesca – including the possessive Cesare, played with simmering intensity by Massimo Ghini – represent a spectrum of entitled masculinity, viewing Francesca less as a person and more as the ultimate luxury good. The Raffle arrived just a couple of years before Adrian Lyne's Indecent Proposal (1993) explored similar themes of commodified intimacy Stateside, making this Italian precursor feel particularly intriguing in retrospect.

The film doesn't shy away from the discomfort inherent in its premise. It forces us to confront uncomfortable questions about exploitation, agency, and the transactional nature of relationships when power dynamics are so starkly skewed. Does Francesca retain any control, or is she purely a victim of circumstance and the male gaze? The film leaves this somewhat ambiguous, focusing more on the immediate drama and Francesca's emotional tightrope walk than on delivering a definitive social critique. Some might find its handling of the central theme skirts uncomfortably close to exploitation itself, while others might see it as a stark portrayal of limited choices.

Retro Fun Facts: Unearthing a Rarity

Finding The Raffle on VHS back in the day often felt like finding a slightly exotic import tucked away in the 'Foreign Films' section, if it even made it there. Its distribution outside Italy was limited, meaning it remained largely unseen compared to Bellucci's later international hits like Malèna (2000) or her appearances in blockbusters like The Matrix Reloaded (2003). Filmed on location in the picturesque Apulian cities of Bari and Monopoli, the authentic setting adds a layer of realism to the heightened drama. Interestingly, while critically debated in Italy – often focusing more on Bellucci's beauty than the film's substance – its provocative subject ensures it lingers in the memory far more than many glossier, safer dramas of the era. It serves as a potent reminder of how certain films, especially from international markets, could feel like genuine discoveries in the pre-internet age of video rental stores.

Lingering Questions

The Raffle isn't a perfect film. Its pacing can meander, and some supporting characters feel underdeveloped. Yet, it possesses a certain melancholic allure, driven by its daring premise and the undeniable magnetism of its lead. It functions as more than just a curiosity; it’s a snapshot of early 90s Italian cinema grappling with complex themes, and a crucial stepping stone for an actress who would soon command the world stage. Does the film ultimately condemn or merely present Francesca's choice? That remains a question worth pondering long after the credits roll.

Rating: 6.5/10

This rating reflects the film's undeniable intrigue, largely thanks to its provocative subject matter and Monica Bellucci's compelling early performance. It captures a specific mood and place effectively. However, it's held back slightly by uneven pacing and a narrative that sometimes feels uncertain whether to fully critique or merely observe the unsettling scenario it presents. It’s a film whose central idea and star presence are perhaps stronger than the overall execution, yet it remains a fascinating and worthwhile watch for fans of Italian cinema and those curious about Bellucci’s origins.

Final Thought: More than just an early credit, The Raffle is a stark reminder of the dramatic power contained within a seemingly impossible choice, anchored by a beauty that even then, promised stardom.