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Broken Arrow

1996
6 min read
By VHS Heaven Team

Alright, fellow tapeheads, slide that worn copy of Broken Arrow into the VCR, adjust the tracking just so, and prepare for a blast of pure, unadulterated 90s action excess. Remember finding this one on the shelf? The cover practically screaming explosions and movie star charisma? This 1996 flick arrived when director John Woo, the maestro of Hong Kong heroic bloodshed, was hitting his stride in Hollywood, bringing his hyper-stylized ballet of bullets and booms to American audiences who couldn't get enough. And boy, did he deliver the goods here.

### Nukes, Stealth Jets, and Scenery Chewing

The premise is wonderfully, almost ridiculously, high-concept: Major Vic Deakins (John Travolta, radiating pure comeback cool after Pulp Fiction), a disgruntled B-3 Stealth Bomber pilot, decides his retirement plan involves stealing two live nuclear warheads during a top-secret test flight. His earnest co-pilot, Captain Riley Hale (Christian Slater, rocking that trademark charming earnestness), is the only one who can possibly stop him, aided by plucky park ranger Terry Carmichael (Samantha Mathis), who gets unwillingly pulled into this desert dust-up. It's the kind of plot that feels perfectly engineered for maximum pyrotechnics, a quintessential "rogue element threatens the world" setup that fueled so many action gems of the era.

Graham Yost, who penned the non-stop thrill ride Speed (1994) just a couple of years earlier, delivers a script that understands its primary directive: keep things moving, keep things exploding. Interestingly, Yost apparently wrote the part of Deakins with Travolta specifically in mind before his career resurgence with Pulp Fiction, which feels like perfect casting kismet. The dialogue might occasionally veer into pure cheese ("Would you mind not shooting at the thermonuclear weapons?"), but honestly, that's part of the charm.

### Woo-Tang Clan Ain't Nothin' to Mess With

This is John Woo letting loose with a Hollywood budget, and it shows. While maybe lacking the deeper emotional core of his Hong Kong masterpieces like The Killer (1989) or Hard Boiled (1992), Broken Arrow is a showcase for his signature action choreography. Forget subtle – we get slow-motion gunfights, impossibly acrobatic dodges, and that kinetic energy that feels like controlled chaos. The action sequences are relentless, staged against the stark, beautiful landscapes of Utah (specifically Glen Canyon National Recreation Area and parts of Moab), which makes the fireballs pop even more.

Travolta is clearly having an absolute blast as the villain. Deakins isn't just bad; he's gleefully bad, smirking, chain-smoking (a habit Travolta reportedly picked up specifically for the role, finding it fit the character's swagger), and relishing every moment of his elaborate, destructive plan. He’s the charismatic center of the storm, chewing scenery with infectious energy. Slater plays the decent, determined hero well enough, the necessary anchor of morality against Travolta’s magnetic villainy, though his character feels a bit more standard-issue 90s action hero. Samantha Mathis holds her own, thankfully avoiding the damsel-in-distress trope for the most part and becoming an active participant in the chaos.

### Feel the Heat: Practical Effects Powerhouse

Let's talk about what really makes Broken Arrow sing on that fuzzy CRT screen: the practical effects. Remember how real those explosions felt? That chopper battle wasn't conjured inside a computer; those were actual helicopters maneuvering dangerously close, captured with dynamic aerial photography. The Humvee chase feels visceral, with real vehicles taking real punishment. And that climactic train sequence? It’s a symphony of twisted metal, fireballs, and death-defying stunt work that feels tactile and genuinely perilous. This was the era before CGI smoothed over every rough edge, where you could almost smell the cordite and feel the shockwaves through your tube television speakers. They even built a functional section of the B-3 bomber cockpit on a gimbal rig for the intense opening sequence! It’s this commitment to tangible destruction that gives the film a weight and impact often missing today. Even the smaller details, like the squibs used for bullet hits, had a raw, messy authenticity back then, didn't they?

The score by Hans Zimmer deserves a mention too, providing that driving, slightly guitar-heavy action pulse that became synonymous with mid-90s blockbusters. It perfectly complements Woo's visuals, ramping up the tension during chases and adding heroic swells when Slater inevitably saves the day (come on, that's not a spoiler in a movie like this!).

### A Blast from the Past Worth Revisiting?

Broken Arrow wasn't exactly a critical darling upon release, often viewed as style over substance, but audiences turned up. It pulled in around $150 million worldwide against its reported $50 million budget (that's roughly $95 million budget and $285 million gross in today's money – a solid hit!), proving there was a big appetite for Woo's brand of explosive entertainment. It might lack the intricate plot of a Tom Clancy thriller or the groundbreaking impact of Die Hard (1988), but as a piece of pure, high-octane 90s action cinema, it absolutely delivers.

It’s loud, it’s frequently over-the-top, and John Travolta operates at maximum charismatic villainy. The plot might have holes big enough to fly a stealth bomber through, but who cares when the ride is this much fun?

VHS Heaven Rating: 7/10

Justification: Earns solid points for John Woo's energetic direction, John Travolta's wildly entertaining performance, and gloriously executed practical action sequences that represent the peak of pre-CG Hollywood spectacle. Loses a few points for a somewhat standard hero character and a script that prioritizes explosions over logic (which, depending on your mood, isn't necessarily a bad thing).

Final Thought: Broken Arrow is pure 90s action comfort food – a loud, slick, and genuinely thrilling reminder of a time when movie explosions felt thrillingly, dangerously real, and villains could steal nukes with a wink and a smirk. Fire it up and enjoy the fireworks.